The events quickly unfold, the images spiral out of control and lose their certainty, the soundtrack crosses over the film perforations, color positive film turns negative, the material is gutted as he even gives (among others) a nod to Kubrick’s The Shining. The big screen experience is always something to behold with the Viennese master of avant-garde cinema, who offers a radical reinterpretation in CinemaScope: a train arrives and collides with its own reflection. With Train Again, Peter Tscherkassy re-enters the light by taking us back to the beginning, to a time when the Lumière brothers filmed the arrival of a train. The festival is back in the theaters, and the pure light of the projector will once again illuminate the audience.
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